Film analysis ( sinhala )

 FILM ANALYSIS 

SOORIYA  ARANA 

Directed by Somarathna Dissanayake in the year 2004 ‘Sooriya Arana’ is a blockbuster film which has won 10 presidential awards and was also Sri Lanka’s highest-grossing local release of all time (with Rs. 121 million). The movie is accompanied by an all star cast of Jackson Anthony, Jayalath Manoratne, Saith Anuthhara and Duleeka Marapana.

Directed bySomaratne Dissanayake
Written bySomaratne Dissanayake
Produced byRenuka Balasooriya
StarringJackson Anthony
Jayalath Manoratne
Sajitha Anthony
Dasun Madusanka
CinematographyChanna Deshapriya
Edited byShyaman Premasundara
Music byRohana Weerasinghe
Release date
  • 23 January 2004
Running time
108 minutes
CountrySri Lanka
LanguageSinhala
Box office12 SL Crores

    The movie opens with Sediris, a hunter in the jungle teaching his son the tricks of his trade. Jackson Anthony, the perfect actor for the role, has given more life and strength to the character than the filmmakers could have expected. Though the language he uses is somewhat harsh to the minds of children who were the targeted audience, the dialogues have been written suitably. Then suddenly, a Buddhist monk accompanied by a novice come to live in the jungle. What Sediris did for a living is hindered by the monk who tries to stop him. The uninterrupted flow of the movie perseveres with the differences in the attitudes of the two; the monk and the huntsman. In the mean time, the two boys; the novice and the son of the hunter become friends. The freshness and splendor of childhood has been brightly exhibited in this movie. 

      The unforgettable musical experience added to the movie by Rohana Weerasinghe has highlighted the theme of the film. The movie ends with the unification of the two sides; the hunter who hoists his own petard by losing his leg, gives his son to the Buddhist order. This movie captures a beautiful theme nourished by the Buddhist teachings. An emotional tug of war is put forth by this colourful production. This movie stands out as one of the highest grossing movies in the history of Sri Lankan cinema. It has left its signature in the minds of the audience.


The film showcases various themes that are prevalent in Sri Lankan society and culture. Here are some of the themes present in the film:

      *Relationships and Family Dynamics: 

The film explores the dynamics within a family, often focusing on love, conflicts, and the complexities of familial relationships.

       *Cultural Identity: 

Sooriya Arana delves into the cultural identity of its characters, examining their roots, traditions, and how these elements shape their lives.

        *Social Class: 

The film may touch upon the disparities among different social classes and the impact this divide has on individuals and communities.

        *Nature and Environment:

 Given the rural setting of the film, there may be themes related to nature, the environment, and humanity's relationship with the natural world.

       *Youth and Coming of Age: 

Sooriya Arana might also explore themes related to youth, growth, maturation, and the challenges faced by young individuals as they come of age.

         *Spirituality and Belief Systems: 

Being set in a culturally rich location like Sri Lanka, the film may incorporate themes related to spirituality, religious beliefs, and the influence of these elements on the characters' lives.


           In "Sooriya Arana," the characters of "Sediris" and his son play crucial roles in exploring the themes of tradition versus modernity.

 Sediris:

Sediris is portrayed as a traditional, authoritative figure who embodies the values of the older generation. He often represents the challenges faced by the youth in breaking free from societal norms. His perspective on life and family can be rigid, and he struggles to understand the aspirations of the younger generation, particularly his son.

 Sediris’s Son:

The son is a reflection of the new generation, filled with dreams and a desire for independence. He often finds himself at odds with his father’s expectations and traditional views. His character illustrates the conflict between wanting to honor familial duties and pursuing personal ambitions.

                          Together, their struggle between adhering to tradition and embracing change, which is a central theme in the film. Their interactions serve to deepen the narrative and emphasize the impact of cultural expectations on individual aspirations.


The Buddhist monk and the little Buddhist monk serve significant roles in exploring themes of spirituality and moral guidance. 


The "Buddhist monk" represents wisdom and enlightenment, providing insights that challenge the main characters to reflect on their lives and choices. His teachings emphasize compassion, mindfulness, and the importance of inner peace in the face of life's difficulties.

The "little Buddhist monk" adds a layer of innocence and purity, embodying the simplicity of faith and the curiosity of youth. His interactions with the other characters often highlight the contrast between adult complexities and the straightforwardness of a child’s perspective on spirituality.

        Together, these characters illustrate the film's exploration of the spiritual journey, the importance of guidance in navigating life's challenges, and the transformative power of faith.

           In closing, Somarathna Dissanayake's "Sooriyaarana" transcends mere storytelling to become a vivid tapestry of cultural identity and personal struggle. The film invites us to immerse ourselves in its rich visuals and profound themes, ultimately urging us to confront our own truths. As we reflect on the characters' journeys and the intricate interplay of light and shadow, we are reminded that every narrative holds the potential for transformation. Dissanayake masterfully illustrates that, much like the sun’s relentless rise, hope persists, illuminating the path toward understanding and connection. Thus, "Sooriyaarana" leaves us not just as viewers, but as participants in a collective journey of discovery and resilience.

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